MUS. 292 Sound Creation: Sampling and Synthesis
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- MUS. 100 Fundamentals of Music
- MUS. 111 Musicianship I
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- MUS. 124 Jazz Improvisation I
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- MUS. 202 Music Appreciation
- MUS. 210 From Blues to Hip Hop: A History of American Popular Music
- MUS. 222 Live Sound and Streaming
- MUS. 231 Afro-Latin Percussion Ensemble I
- MUS. 232 Afro-Latin Percussion Ensemble II
- MUS. 233 Afro-Latin Percussion Ensemble III
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- MUS. 250 World Music
- MUS. 275 History of Jazz
- MUS. 280 History of Electronic Music
- MUS. 286 Music Business
- MUS. 289 Recording for Musical Applications
- MUS. 290 Electronic Music I
- MUS. 291 Electronic Music II
- MUS. 292 Sound Creation: Sampling and Synthesis
- MUS. 293 Audio for Visual Media
- MUS. 296 Electronic Music Composition Portfolio I
- MUS. 297 Electronic Music Composition Portfolio II
- MUS. 298 New Interfaces for Making Music
- MUS. 301 Piano I
- MUS. 302 Piano II
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- MUS. 314 Piano Literature & Performance - The Baroque Era
- MUS. 315 Piano Literature & Performance: The Classical Era
- MUS. 316 Piano Literature & Performance: The Romantic Era
- MUS. 317 Piano Literature & Performance: The 20th Century & Beyond
- MUS. 371 Guitar I
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- MUS. 389 Recording for Musical Applications II
- MUS. 398 New Interfaces for Making Music II
- MUS. 401 Voice I
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- MUS. 423 Small Ensembles
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- MUS. 425 Contemporary Jazz Combo
- MUS. 429 Wind Ensemble
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- MUS. 452 Repertory Jazz Band
- MUS. 454 Jazz Workshop Big Band
- MUS. 470 Concert Choir
- MUS. 501 Studio Lessons I (Applied Music I)
- MUS. 502 Studio Lessons II (Applied Music II)
- MUS. 503 Studio Lessons III (Applied Music III)
- MUS. 504 Studio Lessons IV (Applied Music IV)
- MUS. 884 Review of Fundamentals
Additional Content
Minimum Grade for Prerequisites
Unless otherwise indicated, a grade of C or higher is required for all prerequisite courses.
Course Description
Create original sounds for composition, live performance, and sound effects. Fully utilize the technical and artistic potential of synthesizers and samplers. Study the nature of musical instruments and environmental sounds. From an historical as well as a technical perspective, analyze synthesized and sampled sounds found in experimental and popular music. Specific synthesis techniques covered include: analog modular synthesis, FM synthesis, additive synthesis, granular synthesis and physical modeling.
Units: 3
Degree Credit
Grade Option (Letter Grade or Pass/No Pass)
- Lecture hours/semester: 32-36
- Lab hours/semester: 48-54
- Homework hours/semester: 64-72
Prerequisites: MUS. 290
Corequisites: None
Transfer Credit:
CSU
, UC
